Fantastic imagery and groundbreaking journalism dominate the best of documentary science storytelling. Director Louie Psihoyos’ Oscar-winning documentary The Cove (2009) stands as one of the most audacious and dangerous-to-film operations in the history of the conservation movement. NOVA’s Emergency Mine Rescue (2010) chronicled the unprecedented technological feat of rescuing 33 trapped Chilean miners. Today’s best producers of on-screen science are pushing the envelope, using a range of computer-based tools—including the highly cinematic techniques of digital science animation—to take viewers on a swooping ride through previously unseen worlds. How do these newly available techniques influence and enhance their editorial judgment? And what stories of science are left to be told?
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