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Are you drawn to Impressionism? Or more toward 3D computer art? Beauty is in the eye of the beholder. Or is it? Contrary to the old adage, there may be universal biological principles that drive art’s appeal, and its capacity to engage our brains and our interest. Through artworks ranging from post-modernism to political caricature to 3D film, Margaret S. Livingstone and Patrick Cavanagh join cartoonist Jules Feiffer and others in an examination of newly understood principles of visual perception.
Lawrence Weschler was for over 20 years a staff writer at The New Yorker, where his work shuttled between political tragedies and cultural comedies. He is a two-time winner of the George Polk Award, for Cultural Reporting in 1988 and Magazine Reporting in 1992, and was also a recipient of the Lannan Literary Award.
Read MoreChristopher Tyler has spent his research career exploring how the eyes and brain work together to produce meaningful vision.
Read MoreBuzz Hays is one of the pioneers in the field of 3D production, who in recent years was responsible for overseeing the adaptation of standard-release feature films into three-dimensional stereoscopic versions for the IMAX 3D and Real D platforms.
Read MoreCartoonist, playwright, screenwriter and children’s book author & illustrator, Jules Feiffer has had a remarkable creative career turning contemporary urban anxiety into witty and revealing commentary for over fifty years.
Read MorePatrick Cavanagh helped change vision research by creating the Vision Sciences Lab at Harvard and the Centre of Attention & Vision in Paris. He is currently researching the problems of attention as a frequent component of mental illnesses, learning difficulties at school, and workplace accidents.
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